 
 
			
          
        
        Botox, 
          this is your big week
          
          Beauty is only skin  deep, but 
          dematologists can erase little flaws in time for a red-carpet stroll.
        
        
        By Gina Piccalo
        Times Staff Writer
        
   
        Here in 
        Beverly Hills, amid the gurgling fountains of wealth and luxury, the 
        world’s most famous women come in disguise, during off hours, by private
        elevator, using false names, to fight the good fight against, the one 
        thing that  money can’t buy: time.
        
        In the weeks  before the
        Oscars, the entertainment industry’s biggest night of the year, it’s 
        the dermatologists and plastic surgeons they seek –  anxious to look 
        younger, slimmer, more beautiful than usual.  That red-carpet walk is 
        much more than a fashion show.  It can mean better roles, more money or a
        career kick-start.
        
        “You get a lot of people who are 
        conscious about how they will appear in photographs,” says plastic 
        surgeon Dr. Randal Haworth.  “They say, I don’t want 
        any bruising.’  They’re even  giving me a hard time coming into the room
        20 minutes late.”
        
        “They don’t just roll off the truck 
        famous and beautiful,” says Beverly Hills cosmetic dermatologist Dr. 
        Harold Lancer, whose clients include Oscar nominee Diane Lane, Cher, Nia
        Vardalos and Goldie Hawn.  “It’s a process.  I’m sort of specialist in 
        fine-tuning the process.”
        
        Lancer occupies the penthouse 
        floor of a nondescript building on Wilshire Boulevard a few block from 
        Rodeo Drive.  Inside his office, hallways are crowded with filing 
        cabinets and wall-sized painting of 1920s party scenes.  Art deco 
        mirrors hang in nearly every examination room.  Lancer won’t relocate to
        a larger space, he says, because the high-profile clients like the 
        building’s vacant lobby.  “They have the whole top floor,” Lancer says. 
        “It’s sort of isolated.”
        
        On Friday morning about a week 
        ago, he hustled from room to room, injecting and sloughing and burning 
        away all evidence of age on the faces of women in their 30s and 40s.  On
        this day there were no A listers hiding out in exam rooms,  and few 
        patients planned to attend the awards.  But they all came for the same 
        treatments that Lancer has performed on Oscar nominees and actresses 
        every week and for months.
        
        “When a show is approaching or 
        an interview or a film release or a pilot season, they will speed up the
        schedule,” Lancer says.  “With the Oscars, chances are they’re in 
        ‘chronic mode.'”
        
        For Santa Monica plastic surgeon Dr. R. 
        Patrick Abergel, that means an enormous demand for Botox, the $350 shot 
        of botulinum toxin that paralyzes facial muscles, thus eliminating frown
        lines.  “March for me is the busiest month of the year,” he says.  
        “we’re probably going to do more Botox [in one week] than we’ll do in a 
        month.”
        
        But Lancer warns actors not to overdo it.  “It 
        looks ridiculous if you’re nominated an you receive an award and you 
        have no facial expression,” he says.
        
        Even worse, for some, 
        is wearing one’s age to the awards ceremony.  Women have been bringing 
        their evening gowns to Abergel, pointing to the areas exposed and having
        him laser away sun damage on their cleavage and removing back and upper
        arm fat.  “With a very small needle, we just reabsorb all the fat from 
        the arms,” he says.  “It heals within a week to 10 days.”  This 
        “mini-sculpt” costs $5,000.  The same procedure can remove jowls, says 
        Abergel.
        
        Others are paying $500 to $1,000 per shot for 
        injections of collagen or its derivatives – Cosmoderm, Restylane, 
        Perlane – to plump cheeks or fill laugh lines.  “Like air in a tire,” 
        Lancer says.  While those procedures last a few months, Abergel uses a 
        permanent lip-plumping substance, polytetrafluoroethylene, the same 
        plastic used to make Gore-Tex.  Granted, this one is more costly: $4,500
        for both lips.
        
        For more stubborn wrinkles, like those Haworth calls “marionette lines,” there’s the bone substitute called Radiance. 
        It builds up the skeleton around the mouth, plumping sagging skin.  
        Then there’s the lower eyelid “pinch,” which removes winkles below the 
        eye “with one little stitch,” says Haworth, and heals in three days.
        
        For Skin with a youthful glow, starlets favor 
        microdernabrasion, a $600 process that sloughs off dead skin and with it
        fine lines from the face, neck, shoulders and cleavage, followed by a 
        $500 infrard laser toning that burns off sun damage and encourages 
        collagen production.  Another option is a series of $1,000 “photo 
        facials,” blasts of a broad spectrum of light that dissolve spider veins
        and age spots.
        
        “For many, many years the look in Hollywood
        was pulled,” says Abergel, referring to full face lifts, as opposed to 
        today’s less invasive procedures.  “The new trend now is to look…very 
        natural.”
        
        Back in Beverly Hills, Lancer leaned over Annie 
        Avery, a 40 year old yoga instructor from the San Fernando Valley.  She 
        isn’t attending the Oscars but scheduled he appointment early to beat 
        the rush.  Tiny scarlet jewels of blood appeared on her top lip as he 
        injected $500 worth of Cosmoderm, a human derived collagen.  “I have a 
        pretty high tolerance,” said Avery, wiping a few tears from her eyes.
        
        Down the hall, the lithe 35 year old Jennifer Campbell, a 
        former Miss Hawaiian Tropic and “Baywatch” co-star, perched on the 
        examination table.  She came to talk about facial  blemishes and ended 
        up consulting with Lancer’s technician – who tattoos the equivalent of 
        lipstick, eyeliner and eyebrow pencil.  It’d be nice not to worry about 
        your eyebrows falling off in the water,”  Campbell says.  “For women, 
        it’s very tough in L.A.  You’re competing with girls in their 20s.”
        
        Lancer moved on to Paris Henman, a Malibu mom with blemishes left 
        over from pregnancy.  He explained the importance of sun block.  “If you
        forget for one week in the Caribbean, it will be undone,” he told her.
        
        Next, Lancer passed a wand over the face of young blond 
        woman in a $200 microdermabrasion treatment.  With each pass, the skin 
        was buffed with tiny crystals, leaving her skin as smooth as an 
        infant’s.
        
        “This particle polishing is what we do for 
        entertainment people,” Lancer says.  “I tell patients it’s like 
        detailing your car.” 
        
        And when image is everything, even 
        car metaphors seem fitting.
        
        
 
 
			 
 
			 
 
 
 
 
			 
			 
 
